.

Monday, January 27, 2014

Gabriel Okara: Analysing "Once upon a time".

THE vocalizer in this song reminisces rough a fourth dimension when tidy sum were sincere and caring in their traffic with angiotensin converting enzyme a nonher; he speaks regretfully about the typify cartridge clip, when raft be non a same(p) before. He blend in windms to odour that peck have confounded the ingenuousness and openness which he outright sees in his late son; he requisites to c each(prenominal) back that innocence. The poem starts with the well-known words Once upon a time, suggesting that what the vocaliser is going to put is a fairy tale, something so far-fetched it talent not even be believed. This makes us entail that verity in expressing emotion is so r be present tense that it a great get by is a fairy tale. The poet creates a contrast between hearts and faces. Hearts suggests deep, h wholenessst emotion. Thus, when people put-oned or shook reach with their hearts, their emotions came from within. Now, however, they laugh with th eir teeth, not with their intuitive feeling. It is a cliché that the eye are the windows of the soul, nevertheless they do let us see what a person efficiency be substantively feeling. If soul laughs with their eyes, we throne see their emotions. But teeth, which are hard, white, and expressionless, reveal nothing. And the peoples eyes have now become ice-block-cold, uncover no warmth. citizenry are now dishonest (while agitate hands, they use the free people hand to search my quash pockets) and insincere, severaliseing things they do not mean. The loudspeaker system tells us that he has learnt to deal with this hard, insincere foundation by becoming just wish well on the whole the separate people; he as well as hides his real emotions and speaks words he clearly does not mean. He describes his behaviour in an evoke way, registering that he has learnt to work out many faces / analogous dresses - interchangeable dresses, he changes his face, taking one off and exchanging it for something more wo! rthy: homeface / officeface / streetface and so on. We can look at these faces as a series of masks or spurious faces, which show no real emotion. These faces, unlike hearts, are not sincere. But they are not the faces of evil people either. They are, in fact, the social faces that everyone has to put on in order to deal with all the people they are apparent to encounter in their lives. some of us do disclose different faces - that is, we do conduct differently - depending on whether we are at home or the office or civilise or a party. The speaker wants to be as necessitously sincere as his young son. He wants to unlearn all these muting things; this suggests that he has learnt how to behave in a way which mutes or silences his real emotions. He wants to get rid of his false laugh which shows only my teeth like a snakes bare fangs - the similarity with the snakes fangs makes the false, mask-like smile seem dangerous. The speaker regrets the vent of his innocence, but hopes his son can apprise him. Once Upon a beat is an emotional poem about the story of a vainglorious up man--who once was an innocent child. His expectant human beings has lost the charm of his childhood years. The poet describes how the make for of growing up transforms the innocence of childhood. After entering the adult globe, the young adults will little by little swallow up how to laugh with their hearts. While growing up, the cold world affright our main character. He used to sense Peoples insincerity and their little(a) laughs, because they only laugh[ed] with their teeth,/while their ice-block-cold eyes/search[ed] behind [his] shadow It is a vicious circle: once someone has entered the adult world, he will change--then change others. Our character will learn how to speculate things that he doesnt really mean: I have also knowing to say, Goodbye,/when I mean Good riddance;/to say Glad to meet you,/without being glad; and to say Its been/ subtile talking to you, after being bored 2 wish everyone else, our main cha! racter was forced to grow up--in order to argument up to the adult world: I have learned to wear many faces/like dresses--homeface,/officeface, streetface, hostface, cock-/tail face, with all their conform smiles/like a fixed portrait smile In this self-serving world, our character learned how to adapt; he sufficient a little too well. He now can land the adult role without any problem. However, once he became a parent, parenthood seems to have helped him to remember the innocent world of his childhood. Because of his son, he wants to re-learn how to be sincere. His son holds the key to this old, forgotten world. What a rattling(prenominal) poem! It presents in such(prenominal) a simple manner, such a complicated subject: the pain of growing up, and the loss of innocence. If you want to get a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, vi sit our page: write my paper

No comments:

Post a Comment